1968 US Original pressing. Tiny hole punch. In "Scott 2," Walker continues to refine his baroque pop style, expanding upon the lush orchestration and introspective lyricism that characterized his debut. Released in 1968, this record sees him delving deeper into themes of existential reflection and romantic disillusionment, exploring a sophisticated soundscape that melds orchestral arrangements with pop sensibilities. Tracks like "Jackie" and "The Amorous Humphrey Plugg" highlight Walker's affinity for dramatic narratives and his ability to convey complex emotions with his rich, emotive baritone. His interpretations of Jacques Brel songs, including "Next" and "The Girls and the Dogs," further cement his reputation as a masterful interpreter of European chanson, casting a melancholic yet compelling spell over the listener.

Renowned for his ability to balance the grandeur of orchestral music with the intimacy of personal confession, Walker exudes a sense of theatricality that elevates "Scott 2" to a distinctive auditory experience. Critics have noted how his arrangements on this album cleverly blend elements of classical music with contemporary pop, creating a sophisticated backdrop for his introspective lyrics. As Jon Landau famously noted, Walker's work on this album pushes the boundaries of what pop music can achieve, straddling the line between accessibility and avant-garde experimentation. With "Scott 2," Walker solidifies his place as a visionary artist, challenging and captivating audiences with his bold sonic explorations and poetic storytelling.