Sealed 1972 Original With Demonstration Sticker On Back. Cut Corner. “Feel Good, Not Superfly, Is The Sound Of Early-'70s Pimping -- Even When The Tempo Slows Down, Which Happens Rarely, It's For A Slow Blues Grind, Not A Ballad, And Songs Like Tina's "Kay Got Laid (Joe Got Paid)" Make No Apologies For Mythologizing Pimps. This Results In A Supremely Sleazy, Utterly Addictive Record, One That's Relentless In Its Rhythms And Fearless In Its Funk As Ike Lays Down Nasty Rock & Roll Guitar -- Check His Solos On "Feel Good," Where He's As Elastic As Rubber -- And Tina Tears It Up With Pure, Unbridled Passion. Feel Good Is Quintessentially '70s -- The Fuzztoned Funk Practically Conjures Up Platform Shoes And Mile-Wide Collars -- But It Doesn't Belong To Any One Sound, It Casually Draws From Southern Soul, James Brown Funk, Black Pride, Superfly Style And Juke Joint R&B, A Sound That Is Uniquely Identified With Ike & Tina. And While This Contains No Flat-Out Classics Like "Nutbush City Limits" Or "Proud Mary," As An Album Feel Good Undoubtedly Ranks Among Their Very Best: It's A Non-Stop Party.” Stephen Thomas Erlewine, AMG.